“The richest children were more possessive. At the beginning, they wouldn’t want me to touch their toys, and I would need more time before they would let me play with them […] In poor countries, it was much easier. Even if they only had two or three toys, they didn’t really care. In Africa, the kids would mostly play with their friends outside.”
Despite some differences, Galimberti found similarities between children living worlds apart. Even in different countries, some children’s toys played the same function: protecting them from dangers and things they feared in the night.
The Italian photographer also found that many children were attached to toys that reflected the world that surrounded them in their particular area. A boy from an affluent Beijing family loves Monopoly because he enjoys the idea of building houses and hotels, while another young boy living in rural Mexico loves trucks because they travel through his village on the way to the sugar plantation everyday.
A lovely point Galimberti made about his experience was that toys haven’t changed all that much since he was a kid.
“I’d often find the kind of toys I used to have,” he says. “It was nice to go back to my childhood somehow.”
Myoung Ho Lee - Tree
Myoung Ho Lee, a young artist from South Korea, has produced an elaborate series of photographs that pose some unusual questions about representation, reality, art, environment and seeing.
Without the use of Photoshop or any digital manipulation, Korean artist JeeYoung Lee spends weeks converting her tiny Seoul studio into some of the most elaborate installations we’ve seen—for the sake of taking a single photograph.